I confess, I haven't gotten as much done as I might have these past two days, because not only did my own research lead me off on tangents, but links from other people distracted me even more. But who knows? These things might turn into stories some day.
So one last link, because Derek Lee Ragin was, when I was singing Bach and Pergolesi and Handel, the reigning countertenor of the day. His voice, combined with a female soprano's, created the lovely soundtrack for the film FARINELLI. (If you haven't seen it, rent it! It's beautiful.)
Here's Derek, with my comments: the tempo is a bit too fast, because even though his coloratura (very fast notes) is remarkable, he's struggling to get all the notes into the time framework, which means a slightly slower tempo could have made the whole piece easier to listen to (and to watch.) I love the fact that there's video, because it gives the listener a chance to observe his technique, and not guess at it. If you're interested in the fine points, his steady stance and relaxed jaw are essential to the breath support, which comes from below the rib cage. The movement in his jaw and mouth are because of the quick coloratura, because the singer has to constantly release any tension so as not to obstruct the flow of sound.
And do observe these marvelous violinists! These musicians are hardly glamor girls, but wow--can they play. Wonderful baroque precision and phrasing. This is almost a duet between the principal violinist and the singer.
And also notice, if you're one of those who likes to write about classical music, how the orchestra applauds: they lightly click their bows on their music stands. Such a cool detail to use someday, isn't it?
Too much information? Just watch, and enjoy: http://www.youtube.com/watch?v=IfNAGm0bjL4
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